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'A lot of the work from a color grading standpoint,' Roos adds, 'was about making sure to direct the viewer's eye to Jennifer or to beautiful elements of the set as dictated by the story. While we added noise for the tails, we used noise reduction for this class.

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First class is rich and beautiful with pleasant, pastels, beautiful skin tones and an overall richness. 'The 'tails' - the back for the train - has a really gritty look. 'We wanted to treat the train as a class system and each car a class,' Roos explains of the approach the filmmakers took to the look. Roos recalls that the creatives decided early on that they didn't want a look identical to the film but instead preferred to create a new template for the series.

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With the post work coming together within the same space, Roos, producers, VFX and cinematographers (John Grillo, who completed grading first two episodes before moving on to Westworld, and Tom Burstyn) could collaborate closely as the series took shape.

Posted at Encore Vancouver, colorist Thor Roos handled grading duties and the company's VFX shop created a significant number of the visual effects. The series, created by Graeme Manson and Josh Friedman and overseen by show runner Ben Rosenblatt, stars Jennifer Connelly, Daveed Diggs, Mickey Sumner and develops entirely new storylines. The richest ride in the decadent opulence of the front cars, the poor relegated to the cramped, uninviting back. As with the new Snowpiercer series on TNT, the story is set in a world in which a climate catastrophe has rendered the earth uninhabitable except for a small collection of people perpetually traversing the frozen wasteland that is the earth inside a gigantic train in which riders are stratified based on their wealth.

Recent work includes the popular, multiple-award-winning Doom Patrol, Supergirl, The Flash, and Batwoman (all the CW) and feature films Love Simon (20th Century Fox) and Boss Level (slated for 2021 release exclusively on Hulu).Īll Aboard the Dystopia Express: Encore Vancouver Completes Color and VFX For TNT's Futuristic Snowpiercerīefore Bong Joon Ho swept the Oscars with the incisive and powerful Parasite, his 2013 Snowpiercer helped establish the director as an international creative force.

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The company also continues to grow its comprehensive asset library of photoreal vehicles, environments, creatures, animals, and more this foundation gives Encore VFX artists and designers a head start for many projects - an invaluable plus in the ultra-fast-paced world of VFX production. The creative-driven company, which is led by VFX Supervisor and frequent director Armen Kevorkian, sees clients as production partners, and collaborates in finding the best approach to all of a project's visual effects needs, from fully realized CG creatures to photoreal digital environments to digital double work, all the way to wire removals and other small fixes.Įncore VFX's team of dedicated VFX supervisors and producers offers personalized attention to each job, from pre-production and look-dev to on-set supervision, all the way through to delivery.

The company also has additional locations in Vancouver, BC and Atlanta, GA and has contributed to projects shooting throughout the world.

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Encore VFX is full service visual effects company headquartered in a cutting-edge 30-thousand- square-foot facility in Burbank, CA.